header-photo

Gleam And Glow The Sea-Coloured Marsh-Mosses, Salt And Splendid From The Circling Brine. Watering Holes For The Milder Beast

Whether it's to bring on or take us off
we, despite string science will seek to quaff
whether it's for one or one round for all
we, despite evidence will make the call
whether it's faux or real wind in the mill
we, quixotics, take tilts at a swill


Whether it's to get you out of the Mousetrap plot daily or away from the all-consuming orifice to take a liberty or for a walk to see if it still barks beyond a laptop dog. From the modern joy of The Craft Beer Shop to the ancient Ship Inn we sojourn and wander for something small to ask: fluid contentment.

We in inextinguishable hope still leave our duvets, TV box sets, sometimes even our mobile phones behind to take to the road to contradict those that say the journey is the thing and not the stay at the inn. I, being unexceptional, am a ready visitor to spaces that still have tangible social atmosphere and where talk of life is a little more immediate than the possibility of insect sweat being imagined on a rock too many light years away to be fully comprehended. Yes, seen from space, these boxes of delight might resemble modestly busy ant hills, but to some they might be a base camp at the foot of a mountain and, to some it may indeed be a point of refreshment and rest after a day in an urban jungle. For us milder beasts these watering holes are evidence of a human society and a mark of dignified progression. Ultimately, whatever level of evidence to consciousness, a significant proportion of us gravitate to these enclaves populated by characters who, like ourselves, want to: whet a piercing, dry whistle on Wednesday, thrum-a-throat on a Thursday, or freshen-the-fizzog on a weekending Friday.*
Such watering holes can be a portal through which you can be in your own world and/or in theirs and happily get mortal, alive to those mundane comedic bedfellows of possibility and probability. We can have a rap in the likelihood of keeping our head strong and our bitter mild by being down amongst the vitally absurd.

*This is not ignorant of the many folks who partake of watering holes on any other days of the week, particularly soak-a-liver Saturday and saturate-a-soul Sunday, though Monday and Tuesday are mostly dried up of watering holes on this little coastal spit of the country.


The Ship Inn – At the sea's edge in Saltburn by the sea.

A pub dating back to the 1500s cheek by jowl with a sea dating back even further.
A pub to be sat outside of as it's on the very edge of the North Sea. Only a sea wall stops a pinch of salt and water diluting its victuals. It offers a stunning and visceral vista on the moods of the sea and the wonderful palette of the sky.
Although on very wintry days, inside is as snug as a smuggler in a safe cove. The heavy beams and thick walls ghostly whisper of a long time ago when entrepreneurship was more ship than internet. There's a weight, but not wait, to its atmosphere that chills and warms simultaneously.
There are three ale pumps, often of local cask ales, and three delineated areas inside. There are two dining areas, separated by an open doorway, and a smaller bar area where it feels like you might be asked to sing authentic sea shanties as an introduction to the community therein, which is warmed by the good ale and open fire. From the cosiness of inside you can still hear the sea's cautionary tales of derring-don't commingling with the punters' gentle chatter.
There is a generous outside seating area that enjoys a one hundred and eighty degree view taking in Saltburn Pier, the cliffs and a hefty expanse of the western reaches of The North sea.


The Guns Bar – Milton Street, Saltburn by the sea.
This place has three very different spaces on three levels. The bar area is very familiar in a modern pub organising its space carefully to wlecome its punters with an immediate ale as they come through the door, as an introduction to the other spaces in the place where you can take your drink. At the back of the bar there's a sort of mezzanine lounge with very homely furniture for those suspended between being and somethingness. It is comfortable and somewhere between here and there. Its piece de resistance is the cellar area that throbs with hidden, social atmosphere. It's impossible to be in the cellar without being filled with a sense of plotting or overtaken by conspiritorial alcohol drinking that has aspirations to change the world, if it weren't for CCTV and Saltburn being firmly in the hands of the Tories.
A punter can take to these different spaces a very good choice of craft beers on tap but its drawback is its wholesale – or should that be retail – support for the cashless societal mindset as no dubloons of any denomination are acceptable. I still prefer choice of the polymer that never lies about how much money you have to hand and can proffer as exchange for a pub experience. I still remember little buff envelopes with your weekly earnings held within with a brief explanation of your value to society.


The Marine – The Esplanade, Saltburn by the sea.
Ideally situated it stares at the sea from its high spot overlooking the promenade and beach. It is a reserved place where a quiet pint is easily taken in the lounge where It offers good earnest scran complimented by two real ale pumps. There's also a bigger bar area where there's a collection of TV screens dedicated to sport, a pool table and a velveteen shelf reserved for musical performers at weekends. Though the bar during the idle day is as quiet as the sea in summer as its visitors are hungry and tired locals dotted around a small number of walkers or brave car drivers who have traversed the thirty yards from vehicle to pub.
The pub also has an upstairs bar and generously appointed room that can be hired for social functions. The pub has Victorian cornices atop Elizabethan-style panelling contrasting the North sea on the horizon when it is as placid as a receded negotiating table shouting out just how far is this politically septic isle from Europe and its scurvy social justice. It's lounge and bar are soft places where a soul can drown any sorrows of burnished golden hindsight induced by that regressive, regrettable referendum reflex, to repel an armada of human rights treasures, which, like a servant's tears, can turn 568.261 ml of mild into an imperious pint of bitter.
The Marine can make you feel like you belong to a community of not-in-work crowd of lotus eaters and it is Thomas Moreish and something of a pub for all seasons.


The Clarendon, aka The Middle House – High Street, Marske by the sea.
This place feels historic and if its wallpaper could talk, on some days the pattern morphs into demonic heads, would be a feature on any commercial TV channel all ears to stories of the old seaside north.
It is a kind of audio library wherein you find regulars of the clock poring over betting slips in those who are very interested in the running skills of equine strangers and friends alike. Their bookies' runner has only twenty or so yards to go to deliver on their hopes.
The audio library has its fiction and non-fiction sections, as well as economics, history and ontological narratives to prickle the brown air. And their prices put up their dukes in good old pugilistic style to challenge the crash airbags of inflation. Also, the ethos is stoic tolerance of plastic but they more easily accept shrapnel as currency in this endearing temporal capsule.
The place is served by a Cheers-like bar which serves as a panopticon making redundant any thoughts of CCTV. You can sit in quite ornate chairs of not quite royalty status that show clear evidence of generational human sandpaper elbows and knees gladly patronising the place throughout its long history. They are upholstered by the resilient fabric of this English Oakish wooden universe.
It's the kind of place the sun would go to sit, resting after getting up too early to find it was outdone by a scandinavian frieze that wouldn't give it a look in all the day through. To me it is an Old Peculier place, where I go to meet on old friend whose opinion and taste has somewhat diluted almost to the same degree as the regulars' opinions and tastes have hardened.
Black and white pictures of old Marske adorn the walls and conjure up the notion that the dun dim décor is evidence of the whole place being recently colourised as a nod to modern technological progression. It has what looks like the oldest one-armed bandit in Christendom on which the punters spend time and money shaking archaic hands with the coin of disadvantage. They line up in a kind of ceremony they hope will be accompanied by brass. The gaslight-like candelabra hang from the ceiling to illuminate an inebriate light-bulb moment that ferments in a glass forever half full.


The Wynd Craft Beer Shop – The Wynd, Marske by the sea.
It might be an ex-travel agent's shop front but it's clear from the fairy lights hanging down merrily drunk that the place has the means to facilitate flights of fancy and journeys to places within the brain not always accessible to the stone cold sober.
The door pops a threshold and you are greeted by a welcoming smile and a host who has encyclopaedic knowledge of the victuals therein. After your eyes are drawn to the myriad cans in the fridges on display, there's a tasteful board to surf as you ride the waves of consciousness until sand is obscured by the tide gratefully accepting her invite to take shelter from the norm. The on-tap drinks board is a treasure map offering the chance to play happy families and just friendly acquaintances, dealing the cards in a nine card flush, as the owner imparts her wisdom so we can be drink and gambol aware in a welcoming, comforting space.
She can shepherd the Hamlets and guide the generally unsure, in separating the wheat from the hop and can do an admirable Ginger Rogers tap dance, caring for her clientele sour by sour, ensuring good beer always chimes with good cheer. There's always fecund talk of the subjectivity of taste to break any ice a traveller to the seaside town of Marske might bring in from a bleak midwinter day. The place also offers a haven for dogs that receive special treatment in the shape of treats, behind the bar, from the generous owner.


Golden Smog – Hambletonian Yard, Stockton.
Stockton's first micropub opened in 2014 and has progressively formed very dynamic links with local causes and communities and its ethos has always been a regenerated community-ism without any party political yolk. The owner's quote at the time of opening, to 'be a haven for nice, decent people who appreciate good quality drinks,' has been actively preserved throughout its span. It has created a vibrant space wherein social beings can imbibe the quirkily exotic and the taste-laden everyday in an atmosphere of genuine bonhomie.
The place is decorated with eclectic narratives: from a pictorial history of Tees industries and housing to nostalgia from the Stockton 60s music scene and political commentary, with well-known music posters being altered to voice a witty and rebellious perspective that epitomises the pub's positive sense of self and society's meeting points. It also has a significant dog clientele as visitors are welcome to bring in their furry friends to share the convivial atmosphere.
It occupies a small physical space - the alleyway entrance leading to the place is easily overlooked from the high street - but is vast once inside as its earnestness and thoughtfulness of social dynamics encourages an expansion of consciousness even before you partake of the varied and delectable victuals. There's a choice of five pumps of regularly different small brewery ales and the pickled eggs are to die for. There is a wide range of continental tipples, from the ecclesiastical Belgian brews that include the soul seducing Delirium trilogy, to the tasty, persuasive German Rauchbier, a rich, smoky beer that beautifully finishes off any deeply pleasing session in the Smog, which can begin at 2pm and end at 10pm every day of the week.

Drinking places, or watering holes, often reflect attitudes or moods of its punters,:whether it's drinking to forget - but never forgetting to drink; drinking to remember; drinking in the social space to while away an hour or two; to meet with some kind of destiny or other; or to meet a familiar or reasonably talkative stranger, there's a shared sense of freedom afforded by circumstance, happenstance or wilful contrivance. Whatever the motivation, the hole will provide succour, solace, affirmation and/or stimuli of existence and persistence.

Another key factor in any experience of any watering hole is the chemical poison on offer. Will it be a staple, traditional, conventional, dependable, totally familiar drug of choice, or might it be a swig of wonder, a deep draw of chemical adventure opening doors of perception? Will there be drug induced swimming or floating in a psycho-amorphous primordial swamp, or merely a treading water in a familiar and comforting pool, or will it be a popcorn process from seeded thought, ideas puffed up to fully form sugar-coated drama unfit for human consumption? Will the string taste of candyfloss or of hemp or be a tasteless hank to tie and bloat with unsuspecting melancholy?

Who knows, except the traveller who gets up off their remote to make the necessary small steps or pliant leaps for humankind in order to moisten feet of clay so as to mould a social singularity loosely referred to as personal life. Do watering holes appeal on the basis they provide visceral, real spaces encouraging us to hold up a mirror in order to meet our maker? What's your poison?

243 comentarios:

«A máis antiga   ‹Máis antiga   201 – 243 de 243   Máis recente ›   A máis nova»
  1. ¿De dónde vienes, digno Thane? dixo...
  2. Ante una identidad, siempre hay un maldito. Y situaciones de indefensión. La mujer que se opere para ser hombre y tenga un hijo, ¿será papá o mamá? ¿Ambos? Es formidable. Qué pensarán todas esas mujeres oprimidas, que decía la ínclita, sumidas en la inexistencia de la cultura machista cuando escuchen a qué nos dedicamos a este otro lado del mundo. Sé que hay dolor en todas partes, pero el feminismo de raíz lucha por aquellas, porque sabe que hay cuerpo más allá del ombligo.

    Las farmacéuticas están calladitas porque las operaciones de cambio de sexo imponen un tratamiento hormonal cronificado. De por vida. Por no hablar del coste de psicólogos, intervenciones quirúrgicas, etc. Y con el resultado de perder para siempre el placer sexual, que nadie habla de esto. Acaso es que el placer, como el sexo biológico, tampoco importa demasiado. Prefiero la vía mística, puestos a renunciar.

    Hay gente, siempre la hubo, que se siente enemigo de lo que representa su cuerpo, que no se entiende en él. Pero también se ha abierto un mercado de identidades sexuales que invita a crear problemas donde no los había, que siembra confusión en niños que no pueden votar, ni comprar vino pero sí cambiarse el nombre, decidir qué son en una etapa vital en la que todos hemos sido uno y su contrario. Wilhelm Reich fue encarcelado por comercializar su método curativo de la impotencia (los “acumuladores de orgón”). Hoy hay quien paga por mutilarse el deseo sexual. El que no comulga es un heteronormativo y se le despide incluso de su propia editorial siendo espléndida escritora (véase el caso de Carolina Senín).

    Lo biológico, lo social, lo psíquico. Esta tríada conformaba el yo, sea lo que signifique ese pronombre. Hoy la mera proclamación de lo que uno dice que es se convierte en ley. Todo esto se parece demasiado a la distopía de Un mundo feliz. Cualquier día, nuestra excelsa ministra regala el Manifiesto SCUM a las adolescentes. Como catecismo, haría las delicias de muchas (o muches, perdón).

    A cuenta de esto, también se ha redivivo el concepto raza. Escucho hablar de individuos racializados. Y me pasmo. Juro que aprendí en la escuela que las razas no existen. Palabra de Lévi Strauss. Y así, de nuevo, la identidad se suma al discurso de lo que se pretende denunciar.

  3. Javier Villafañe dixo...
  4. Me voy al Mar del Norte. Donde el mapa no llegue. Donde hay un borracho que grite: “alguien que me pueda, alguien que me brille”. Dónde haya un atorrante que esté contento porque su perro no fue a la fiesta donde los perros perdieron el culo. Que se guarden todo, las fiestas de los esclavos y el viaje de los zombies… ¡¡me voy, me voy!! ¡¡me voy, me voy!! ¡¡me voy, me voy!! ¡¡me voy!!

  5. Schitenfreter dixo...
  6. la eternidad que brama como un mar distante se aproxima a grandes pasos

  7. Oops, looks like the page is lost. This is not a fault, just an accident that was not intentional. dixo...
  8. Cuídate del Desprecio.
    Si transiges con ese gen ciempiés estás perdido.

  9. Asclepio Taburdio dixo...
  10. El Noveno Advenimiento de Asclepio B. Taburdio, a la vuelta de unas olas del mar del Norte.

  11. Homenaxe dixo...
  12. La piel a tiras,
    por ellas,
    sin gritos,
    sin quejas,
    te dejas quitar
    complacido;
    pregúntate dónde
    te has metido.

    La piel a tiras
    y aún suspiras
    por ellas.
    Con lacre sellas
    tu corazón;
    de nada sirve.
    Es tonteria,estás en sus manos;
    nada te sirve con ellas.

    En el futuro,
    cuanto te ocurra
    será por ellas
    sin duda.
    Pues ellas tejieron
    -ruin o sublime-
    tambien tu pasado,
    ¡y cómo es posible!

  13. Ven a verme dixo...
  14. Cuántas veces la amargura
    de cruzarse chicas guapas
    sobreviene, mas no es nada:
    es la vida que se escapa.
    No echarse a llorar es lo raro,
    pues siempre lo bello te arruina
    lo que tiene de encanto tu mundo vulgar
    que entre lo bello rechina.

    Oh belleza,cuánta belleza.
    Oh belleza,amargura mía.
    Ni contra una pared la cabeza
    lo entendería.
    Vuelves tu primera mirada hacia ellas
    pero nunca aprendes la melancolía.

    Nada más lejos de ellas
    y sin embargo cuántas veces
    un deje de muerte te queda al pasar:
    es la nada que todo lo envuelve.
    Y qué haces después,qué tienes,qué queda:
    alturas de vértigo,abismos.
    Detrás de ellas lo irreparable:
    El gran vacío de nosotros mismos.

  15. Asclepio Taburdio dixo...
  16. Queda lo que trae el río,
    y agolpa en la ribera.
    Crece la marea,
    lo lleva y queda
    de nuevo lo que trae el río;
    te quise tanto,amor mío;
    tanto,amor mío.

  17. Odiseo dixo...
  18. Las anchas alamedas.
    Los puertos de ultramar.
    Las perseidas en el cielo de la noche elemental.
    Naufragios y odiseas en el trance de los sueños.
    Todo lo he visto, de todo me acuerdo.

  19. Muñeco de Trapo dixo...
  20. Es algo conocido que algunos trastornos psiquiátricos no aparacen aislados, sino asociados con otros. Un reciente descubrimiento apunta a que existe una justificación neurológica para ello.

  21. León Saint-Just dixo...
  22. En el mar germano que habitan las sirenas aprendía uno a uno
    los acordes-escudo de sus cantos cerveceros.

  23. Algernon Mouse dixo...
  24. For the folks in the big smoke
    We are just culchies with yokes

  25. Mike Rabos dixo...
  26. Hace días que me pescó la lluvia y ando medio sintiéndome de la fregada. Como va seguir lloviendo ese coctel tóxico que combina esmog con cenizas desde Newcastle, y a sabiendas de varios amigos enfermos, y otros por caer, me permito la libertad de hacer las siguientes recomendaciones que resumo en una: No suban al Noreste

  27. John Bull dixo...
  28. But there is a problem. Nerthus is a female earth-goddess, while Niörðr, Frey and Scyld are all male and associated with the royal houses of the North. Chadwick’s attempt to connect the ancient traditions of Nerthus with the migration-age traditions of Niörðr and other male deities is at once the most original and the most speculative part of The Origin of the English Nation. And it is precisely the element of Chadwick’s book with which Tolkien engaged most intensely, most critically, and most creatively. Indeed, to engage with the young Tolkien’s criticisms of Chadwick’s methodology and solutions is to stand on the very threshold of Tolkien’s vision of a lost English mythology. The road to Middle-earth crossed through Chadwick’s attempt to connect ancient and migration-age traditions.

    Chadwick appeals to then-fashionable anthropological theory, according to which primitive societies were originally matriarchal. At the heart of his argument is the idea that the goddess Nerthus took a mortal consort. When Nerthus emerged from her lake and was placed in a cart that was taken around the island of Zealand, one priest was allowed to touch her cart, and this priest – suggests Chadwick – was held to be the husband of the corn goddess.5 But between the time of Tacitus and the Viking Age, Chadwick argues, Northern society lost its original matriarchal basis. As patriarchal institutions became dominant, the priests of the North established themselves as kings, taking for themselves many of the divine characteristics of the original goddess. Thus, for example, the earliest sources indicate that the Swedish queen is both descendant and living representative of the goddess Freya; but by the thirteenth century, when Snorri Sturluson wrote the early history of the Norse kings in his Ynglinga Saga, the established tradition was that Frey succeeded Niörðr as king of the Swedes. Thus the shift from matriarchy to patriarchy is invoked as an explanation of the shifting gender of the central divinity of Northern tradition.

  29. John Bull dixo...
  30. In later tradition, however, Ing takes on a quite different role. According to the Anglo-Saxon ‘Old Runic Poem’: Ing “was first seen by men among the East-Danes” but subsequently “departed eastwards over the waves”. Chadwick argues that these rather obscure lines show that the Ing of migration-age traditions has become a god (for the Danes are said to be the first humans to see him). He further argues that Ing is the original of the great king, Scyld: both sojourn among the Danes, appear to come from a non-human world beyond the sea, and eventually pass over the sea, perhaps back to the divine lands from whence they came. Ing thus becomes for Chadwick the key figure in the mythology of the North. Ing is the ancient mortal consort of Nerthus who, in the centuries leading up to the English migration to Britain, is transformed into a deity and celebrated as the original king of the North. Tolkien’s mythology of English origins would emerge by way of a series of critical engagements with Chadwick’s conceptions of Ing.

  31. steal a march on their Celtic neighbours dixo...
  32. What is the elvish prehistory of the North?

  33. the traditions of the North dixo...
  34. The gods of the North as in their very beings but the shadows of great men and warriors cast upon the walls of the world

  35. Oswald Stuart Donaldson dixo...
  36. Almost invariably, the harnessing of Norse myth to racist and fascist ideologies takes its starting-point in the blood-soaked religion of the Viking Age, centred on Odin and his ravens. But Odin was a latecomer to the North; his family takeover of old Scandinavian religion is represented in Old Norse stories of the war of the Æsir gods against Niörðr and the Vanir gods.

  37. tema tan caro en la literatura de los hombres del norte dixo...
  38. Harald Hardrada invadiu Inglaterra en 1066 para intentar gañar a coroa deste país e morreu na Batalla de Stamford Bridge, pouco antes da Batalla de Hastings e o triunfo de Guillermo o Conquistador

  39. Non sei se este toque do que os ingleses chamamos «gallows humour», «humor de forca», foi intencionado dixo...
  40. Se tódolos poetas do mundo nos esquecéramos
    da chuvia, quizabes deixase de chover

  41. John Bull dixo...
  42. Here we go round the Maypole high, The Maypole high, The Maypole high, Here we go round the Maypole high, Let colored ribbons fly, Let colored ribbons fly.

    See lasses and lads go tripping by, Go tripping by, Go tripping by, See lasses and lads go tripping by, Let colored ribbons fly, Let colored ribbons fly.

    In rainbow hues make garlands gay, Make garlands gay, Make garlands gay, In rainbow hues make garlands gay, Let colored ribbons fly, Let colored ribbons fly.

  43. The Puto Pato Glücklich dixo...
  44. Los pubs del Mar del Norte, los animales negros de la noche y el oleaje opaco del mar de los ahogados.

  45. Burton Montefroumas Coumiñán dixo...
  46. Ó gonorréia, gonorréia!
    Tenho fome
    Ó mula!
    Ó cancro duro!
    Pelo divino amor
    De Aegir
    Vem cá!

  47. Rabudo Fervenza dixo...
  48. Hay algo muy fascinante que viene de hace mil cuatrocientos años. Mahoma estaba muy interesado en los judíos: son monoteístas y, al principio, fue muy elogioso con ellos; quería ser recibido por las tribus judías, pero estas no lo reconocían en absoluto como un profeta y se burlaban de él. Hay un famoso poeta judío (los poetas eran satíricos, los caricaturistas de la época) que se burló violentamente de él. Un pasaje muy famoso y muy utilizado por los predicadores cuenta que Mahoma envía a gente a matar a este poeta judío, un líder tribal, que se burlaba de él en Medina. Allí, hay una fantasmagoría que ha atravesado los siglos. A mil cuatrocientos años de distancia, a Charlie Hebdo lo mataron por sus burlas de hoy, y a los judíos, por su burla de hace mil cuatrocientos años. [A la matanza de Charlie Hebdo, del 7 de enero de 2015, la siguió, el 9 de enero, la del supermercado judío de comida kosher en el este de París, que dejó cinco muertos. El ataque fue perpetrado por otro islamista, que conocía a los atacantes del periódico]. Sí, son los que no quieren renunciar a lo que son. Los dibujantes de Charlie y los judíos representan la diversidad, son el otro. Para ellos es insoportable, ya que es algo que no calza con su mundo neurótico y dogmático. Así que hay que eliminarlo.


    Dicho esto, son muy malas noticias para todo el mundo, porque los judíos son el canario en la mina. Primero vienen por ellos, luego les toca a los demás: los poetas, los escritores, los estudiosos, los académicos… Hay que apoyar a estas voces. Eso es lo que hay que decirles a los jóvenes. Estás abandonando a estas personas que luchan por seguir siendo libres, por seguir escribiendo libremente. ¿No tienen derecho al respeto acaso? La mujer iraní que murió, ¿no tenía derecho a ser respetada? [Mahsa Amini, muerta tras ser detenida por la policía de la moral iraní por su manera de llevar el velo]. Y tú ¿no tienes nada mejor que hacer que defender el uso del velo? ¿Es esa tu idea de progreso y libertad? ¿Cómo se puede ser feminista y militar a favor del velo?

  49. Veterano de Yardley Gobion dixo...
  50. he bought you a drink after all!
    It's perfect...
    but which way is England?

  51. Zeuxo dixo...
  52. —desde una remota cosmogonía y para todos los siempres—
    por entre las algas negros caballitos de mar cabalgas

  53. Una Frase Lapidaria Como Vacuna Ante Este Cúmulo De Despropósitos dixo...
  54. Todos somos un poco aquello que nos subleva que sea insultado

  55. O Derradeiro Xabarín Ceibe dixo...
  56. Déixame partir. Non permitas que
    recite as palabras que ditei
    aquela última vez. Agóchame
    no teu caixón de xastre.
    Serei nada e algo; logo, pouco.
    Un lago cunha alga invasora.
    Alá van as horas, correndo
    como se fosen doutro,
    como se tivesen présa,
    como se quixesen fuxir.

  57. Kraken dixo...
  58. Yace allí desde muchos evos, y ha de yacer
    cebándose en su dormir de enormes gusanos de mar,
    hasta que el último fuego caliente las profundidades
    y por única vez de humanos y ángeles sea visto,
    cuando se alce rugiente para en la superficie beber cerveza

  59. Gerrard Winstanley dixo...
  60. Donde las hojas del cedro separan el cielo
    escuché el mar.
    En los zafíreos ámbitos de las colinas
    me fue prometida una infancia mejor.

    Hosca, sancionando al sol,
    dejé mi memoria en un barranco,
    —ocasional gorgojo que roe el cereal—
    rocas proscenio, congrega peras
    en fanegas de luz de luna
    y despierta callejas con una tos profunda.

    Cava en la playa y planta una baya.

  61. Fucker Compulsivo dixo...
  62. In the parable as you dream it the seagull
    plucks a single hand
    from a beach made of hands,
    carries it across the world,
    drops it in another sleepy ocean,
    then flies back to do it again and again
    until one beach sinks below the surface
    while the other rises, clamors for the flinching sky.

    You’re tired of telling yourself not to write
    about your dead mother.

    You’re tired of how the piece of you
    you deposited in your mother’s coffin
    is always in another coffin,
    no matter how many
    you pry open. Life as you write it
    is one proclamation after the next:

    I will not, I will not, this is the last
    time, no more, one more,

    and then you write apple and
    your mother appears
    hungry on the page, you write
    suitcase and she’s there, folded into it, you write
    she said I could be whatever I wanted
    and she whispers into your ear
    you will never be anything
    but the absence I put inside you.

    And you know this is untrue
    as much as you know the flesh
    rising like bread from your bones,
    the words roiling like steam in your lungs.

    But the truth is, in the parable
    as you dream it,
    you are not the seagull,
    you are not the ocean, the twitched hands,
    you are not even the flinched sky.

    You are treading water
    describing over and over the water,
    and over and over
    the water says again.

  63. Cisco clava el estandarte do corvo en una colina inglesa dixo...
  64. Foamous homely brew, bebattled by bottle, gageure de guegerre

  65. John Bull dixo...
  66. Raise high the black flags, children. No pity! No prisoners! I'll shoot any man I see with pity in him!

  67. Orson (Falstaff at Midnight) dixo...
  68. El decreto De Haeretico Comburendo del Mar del Norte, aprobado en 2022, dejaba poco margen para evitar la muerte de las sirenas. El texto permitía arrestar a predicadores, encarcelar e interrogar a todo sospechoso de pertenecer a la secta que 'pensaba mal de los sacramentos'. Es decir: los lolardos.

  69. Hud Bannon dixo...
  70. Darling, two of the most gorgeous negroes you've ever seen have just gone up the stairs. What on earth is going on up there?

  71. Wystan Evelyn Parsnip Pimpernell dixo...
  72. Astringente tedio gris-ostra de un jornada transcurrida íntegramente en el mar.

  73. Quentin Durward dixo...
  74. Showing the code of sweet and bitter fancy

  75. Jack Tar dixo...
  76. Shall we who have endured the toils of a long and disgraceful war bear the tackles of tyranny and oppression, which vile pampered knaves wallowing in the lap of luxury choose to load us with? … No – the Age of Reason is at Length arrived …

  77. Beber a CAM(a)RA lenta dixo...
  78. Saltburn Cricket, Bowls & Tennis Club


    Well supported by the local community, members and non-members are made equally welcome at this local CAMRA multi-award winner, now celebrating 27 years of continuous Guide recognition. Located just north of the town centre, though within walking distance of the railway station and bus stops.

    Three interesting beers are served, often not even lasting the evening. An enthusiastic steward hosts a variety of events, including quiz nights and bingo. A function room is available, while superb buffets can also be arranged. The balcony, ideal for those lazy summer afternoons, overlooks the cricket field.
    Check dark winter opening hours.

  79. O Xoves Hai Cocido dixo...
  80. This bizarrely-named meal is a well-loved family dish that all North-Easterners love coming home to. Originating from Sunderland, the casserole was traditionally eaten on Mondays, using leftover meat and vegetables from the Sunday lunch. It's usually made with corned beef, sliced potatoes, onion, stock and seasoning; then left to slow-cook throughout the day. There's a number of variations to the dish around the region that slightly vary in names and ingredients; for example, Northumberland's "Pan-Haggerty" uses potatoes, onions and cheese baked in a baking dish. Whichever way it's cooked, it undoubtedly makes the perfect winter warmer.

  81. O Xoves Hai Cocido dixo...
  82. When money got tight, families of the North East would use everything they had to make the most wholesome food possible. The result? Corned beef patties. Using the simplest of leftovers - corned beef, mashed potato and onions - the ingredients are squashed into lovely patties before being fried until golden brown. You can find them in chip shops all over the North East today.

  83. O Xoves Hai Cocido dixo...
  84. You cannot beat a good Geordie scone. Singin' Hinnies are made using flour, butter, lard, currants, salt and milk, then cooked on a flat griddle. What's fantastic about this recipe is the meaning behind the name: "hinny" being a term of endearment in Newcastle dialect, and the singing factor referring to the sounds of the sizzling lard in the rich dough as it cooks on the griddle. The dainty concept of singing scones is like something from Alice In Wonderland, and it's just another neat little reminder of how sentimental these recipes are to the North East of England.

  85. O Xoves Hai Cocido dixo...
  86. Well, pease pudding is the perfect compliment to the majority of foods previously mentioned: it's best friends with the stottie, not to mention the saveloy... and people in the North East go crazy for it. It's traditionally made from split yellow or Carlin peas, water, salt and spices, all boiled together with a bacon or ham joint. Once cooked, the pease pudding is drained, mashed, and served as a soft, spreadable paste. One thing's for sure - the Saveloy Dip would not be the same without it. Hungry yet?

«A máis antiga ‹Máis antiga   201 – 243 de 243   Máis recente › A máis nova»

Publicar un comentario